Ralph Werther

Ralph Werther

Summary

Portrait of Ralph Werther Ralph Werther The female-impersonators (1922)

A thousand times I desiderated female corporeality so that I could have married one of these magic gunmen. How I have envied many a young mother before my eyes with babe in arms! How could a God of love have created me physically a male when I have always so coveted personal female corporeality, and, in adulthood, the mothering of offspring!
These weekly female-impersonation explosions continued more than two years, when my father relegated me to a university several hours from New York. I leave it nameless—to spare it the disgrace of having once numbered “Frank White” among its students.
Source: Gutenberg

Portrait of Ralph Werther Ralph Werther The female-impersonators (1922)

I merely kept some feminine finery locked up in my room for occasional decoration of my person while I gazed in the mirror. But during the eighteen months that my sprees were staged in the Fourteenth Street Rialto and the six years on or near military reservations in New York’s suburbs, my attire was as fancy and flashy as a youth dare adopt. Fairies are extreme dressers and excessively vain. To strange adolescents whom I passed on the street I proclaimed myself as a female-impersonator through always wearing white kids and large red neck-bow with fringed ends hanging down over my lapels.
Source: Gutenberg

Portrait of Ralph Werther Ralph Werther The female-impersonators (1922)

The bugle-call, because closely associated with the clash of arms and with that type of human who shine as demigods, always lifts me up into an unutterably blissful female-impersonate and cross-dress intoxication. I seem to be raised to the very zenith of the universe as THE SUPREME WOMAN, THE FAIRIE QUEEN, and to have all the fighting men that ever lived bowing low in worship of my feminine attributes. During the minute that the bugle-call resounds and reverberates, I live infinitely! I live out a whole eternity!
Source: Gutenberg

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