Ray Cummings

Ray Cummings

Summary

Portrait of Ray Cummings Ray Cummings The man on the meteor (1941)

In command of the entire Marinoid forces, I rode alone on a dolphin—with hands free and with only a lance fastened flat against the dolphin’s back and a dagger in my belt. I was first off the roof of Rax. As I rose, gliding smoothly upward and outward, I looked down to see the city dropping away.
A column of young men, swimming five abreast, came up next—like birds rising in orderly array to follow their lone leader. It was an inspiring sight—this sinuous curving line of swimmers. It swung into the water, bent like a huge rainbow over the city, straightened, and followed me diagonally upward.
Source: Gutenberg

Portrait of Ray Cummings Ray Cummings The man on the meteor (1941)

Nona sat on one of the seats where but a few moments before a Maagog mother had dropped and yielded up her infant to the boiling torrent beyond the grating. I shuddered and pulled Nona away. On the floor, near the center of the cave, we gathered in a huddled group. I braced my feet in the mud, for the current pressed us toward that ghastly grating, beyond which lay death.
The cave was silent save for the sinister hiss of steam beneath it. In the lurid green glow of the lamp overhead our faces were livid, death-like. Death hung all about us.
Source: Gutenberg

Portrait of Ray Cummings Ray Cummings The man on the meteor (1941)

Atar pulled me on. As we approached the King’s palace, the throngs in the streets grew denser. They cheered us more frequently now. But among them, everywhere, I saw Marinogs—whiter, puffy of flesh, with larger eyes. Those were the real half-breeds. But I wondered how many there might prove to be among us with that unseen, unmarked taint of Maagog blood.
The crowds cheered—but the Marinogs were silent. They swam about furtively; or lurked in doorways; or in tangles of the street vegetation here and there.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature