Robert Browning

Robert Browning

Summary

Portrait of Robert Browning Robert Browning,  Sordello — Book the Third (1840)

“ And the suspended life begins anew;
Quiet those throbbing temples, then, subdue
That cheek's distortion! Nature's strict embrace,
Putting aside the past, shall soon efface
Its print as well—factitious humours grown
Over the true—loves, hatreds not his own—
And turn him pure as some forgotten vest
Woven of painted byssus, silkiest
Tufting the Tyrrhene whelk's pearl-sheeted lip,
Left welter where a trireme let it slip
I' the sea, and vexed a satrap; so the stain
O' the world forsakes Sordello, with its pain,
Its pleasure: how the tinct loosening escapes,
Cloud after cloud!
”
Source: Wikisource

Portrait of Robert Browning Robert Browning,  Sordello — Book the Third (1840)

“ And Palma's fled.
Though no affirmative disturbs the head,
A dying lamp-flame sinks and rises o'er,
Like the alighted planet Pollux wore,
Until, morn breaking, he resolves to be
Gate-vein of this heart's blood of Lombardy,
Soul of this body—to wield this aggregate
Of souls and bodies, and so conquer fate
Though he should live—a centre of disgust
Even—apart, core of the outward crust
He vivifies, assimilates. For thus
I bring Sordello to the rapturous
Exclaim at the crowd's cry, because one round
Of life was quite accomplished
”
Source: Wikisource

Portrait of Robert Browning Robert Browning,  Sordello — Book the Third (1840)

“ Venice seems a type
Of Life—'twixt blue and blue extends, a stripe,
As Life, the somewhat, hangs 'twixt nought and nought:
'T is Venice, and 't is Life—as good you sought
To spare me the Piazza's slippery stone
Or keep me to the unchoked canals alone,
As hinder Life the evil with the good
Which make up Living, rightly understood.
”
Source: Wikisource

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