Robert E. Howard

Robert E. Howard

Summary

Portrait of Robert E. Howard Robert E. Howard The Purple Heart of Erlik

At the tea-table the senseless Chinese still sprawled, deaf to the frantic, agonized shrieks that rang again and again through the inner chamber of Woon Yuen.
An hour later a door opened into a narrow alley in the rear of Woon Yuen's antique shop, and Arline was thrust roughly out, her breasts almost bare, her dress ripped to shreds. She fell sprawling from the force of the shove, and the door was slammed, with a brutal laugh. Dazedly she rose, shook down the remains of her skirt, drew her dress together, and tottered down the alley, sobbing hysterically.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard The Purple Heart of Erlik

Here indeed were the real treasures of Woon Yuen—what looked like the plunder of a thousand sultans' palaces and heathen temples. Idols in jade, gold, and ivory grinned at her, and a less sophisticated woman would have blushed at some of the figures, depicting Oriental gods and goddesses in amorous poses of an astonishing variety.
Source: Wikisource

Portrait of Robert E. Howard Robert E. Howard The Purple Heart of Erlik

Woon Yuen opened a bronze door, worked in gold and ebon inlay, and Arline entered a broad chamber, over a silvery plate of glass set in the threshold. She saw Woon Yuen glance down as she walked over it, and knew he was getting an eyeful. That mirror placed where a woman must walk over it to enter the chamber was a typical Chinese trick to allow the master of the establishment to get a more intimate glimpse of the charms of his fair customers, as reflected in the mirror.
Source: Wikisource

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