Robert Gore Browne

The Crater (1926)

Summary

Robert Gore Browne The Crater (1926)

But the duty of burying Dick had never left his mind, where it bred a fresh idea of his victim.
He no longer saw him in the abstract as the enemy, the defiler of Norah's body, the pest which must be killed. He saw him as a dead man. A poor dead man. Un povero morte, shut out from the daylight, from sight and feel and smell, from love of women, from hope and achievement. All he had now was stillness and a silence.
Archie felt no horror at his crime. He stood back from civilisation, remote from society, away from the herd that had created morality to make possible life in a herd.
Source: Gutenberg

Robert Gore Browne The Crater (1926)

If Dick was happy, Norah was happy too. Was she not on her honeymoon, the sweeter if stolen? And after the shuttered years on the farm, how savoury this foretaste of the busy world of men!
Like a demon in a pantomime, the pitch black head of a fireman popped up through an iron hatch, hung over the side gleaming with sweat and drank greedily the brackish water of the lake, flicking it dexterously with straight fingers into a cavernous mouth. Then he began to pass armfuls of short logs from the firewood stacked on the deck to an invisible comrade by the boilers.
Source: Gutenberg

Robert Gore Browne The Crater (1926)

Archie shrugged his shoulders. 'Don't some people say ideas are everything?' he asked me.
They had begun to dance in the village. Hand-clapping strengthened the beat of the drum and the shrill monotonous voices of women singing, as they jogged to the rhythm.
'You were provoked, you were ill with fever,' Norah began.
'I haven't told you all,' Archie interrupted. 'Have you thought what life now holds for me?'
Without expiation he could never again have peace of mind. He must be ready at any moment to lie to his friends. At any moment a sincere word might be his ruin.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature