Robert Herrick

Robert Herrick

Summary

Portrait of Robert Herrick Robert Herrick,  One Woman's Life

“ Milly herself was not averse to entertaining a new "hope." Her marriage seemed so utterly dead that she felt free to indulge in a new sentiment. But the novelist looked at her out of his beady, black eyes,—indulgently, kindly,—but through and through, as if he had known her before she was born and knew the worth of every heart-beat in her.... Gradually beneath that scalping gaze she grew to dislike him, almost to hate him for his indifference. "He must be horrid with women," she said to Hazel, who admitted that "there have been stories—a man living by himself, as he does!" ”
Source: Gutenberg

Portrait of Robert Herrick Robert Herrick,  One Woman's Life

“ Then the family moved in, and soon the girl's restless gaze turned outwards.
She must have people for her little world,—people to visit with, to talk to. From her doll years Milly had loved people indiscriminately. She must have them about her, to play with, to interest, to arouse interest in herself. Wherever she derived this social passion—obviously not from Grandma Ridge—it had been and would always be the dominant note of her life. Later, in her more sophisticated and more introspective phase, she would proclaim it as a creed: "People are the most interesting thing in life—just humans!"
”
Source: Gutenberg

Portrait of Robert Herrick Robert Herrick,  One Woman's Life

“ Jack Bragdon was a much rarer type in Chicago of the early nineties—or in any American city—than he would be to-day. Milly's experience of the world had never brought her into close touch with Art. And Art has a fatal fascination for most women. They buzz around its white arc-light, or tallow dip, like heedless moths bent on their own destruction. Art in the person of a handsome, sophisticated youth like Jack Bragdon, who had seen a little of drawing-rooms as well as the pavements of strange cities, was irresistible. ”
Source: Gutenberg

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