Robert Welles Ritchie

Robert Welles Ritchie

Summary

Portrait of Robert Welles Ritchie Robert Welles Ritchie Original Bill (1916)

Original turned at the far corner of the corral to wave his hand; a wave was returned him. Then, west and north toward the far-flung blue of the Big Horns, gem clear through the crystal lens of the morning, he turned his pony. The track of the herd was laid down like a yellow carpet strip over the swelling crests of divides in the distance—a mere worm trail in the immensity of the Big Country. Far out and away stood the carved pillars of grotesque buttes, buttressing the sky. A rowdy wind searched his lungs, filled all his body with vigor mounting to giddiness.
Source: Wikisource

Portrait of Robert Welles Ritchie Robert Welles Ritchie Original Bill (1916)

The woman with the gray brand felt a knot tighten in her throat. One of her hands crept over the buffalo-robe to find and close over the small, hot hand lying there, and in simple sincerity she began to talk of the Creator, His works. She talked not as woman to man—the artless pretensions of Mister Bill Blunt had long since been thrown over—but as mother to son. The wildling, with the raven wing falling over his eyes, found the spirit of the telling sweet as the wonder of the words.
Source: Wikisource

Portrait of Robert Welles Ritchie Robert Welles Ritchie Original Bill (1916)

At dawn he was on Nigger Boy, ready to follow the broad trail of the Hashknife herd across country to its grazing-place. He looked down at the yellow head with its strange slash of gray there by his saddle-horn, and very awkwardly he put out his hand. "You've been powerful good to me, Miss Eliza," he murmured, "and I sure would admire to come and see you right soon—that is, if you want me. You—you talk to me so wonderful."
"Come soon, Original." She caught his hand with firm fingers. "And—and what men say on the range—what they say you won't believe."
Source: Wikisource

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