Ronald Firbank

Ronald Firbank

Summary

Portrait of Ronald Firbank Ronald Firbank,  Sorrow in Sunlight (1924)

“ It was on the palm-grown Messalina, an avenue that comprised a solid portion of the Ruiz estate, that he had installed her, in a many-storied building, let out in offices and flats.
Little gold, blue, lazy and romantic Cuna, what chastened mood broods over thy life to-day?
“Have you your crucifix? Won’t you buy a cross?” persuasive, feminine voices rose up from the pavement below. Active again with the waning sun, “workers,” with replenished wares, were emerging forth from their respective depots nursing small lugubrious baskets.
”
Source: Gutenberg

Portrait of Ronald Firbank Ronald Firbank,  Sorrow in Sunlight (1924)

“ Ahmadou Mouth. All in white, with snow-white shoes and hose so fine, he hardly dare.
“Mammee, Mammee, oh, Mammee....”
“Sonny mine! My lil boy!”
“Mammee.”
“Just to say!”
And, oh, honies! Close behind, behold Miami, and Edna too: The Miss Lips, the fair Lips, the smiling Lips. How spry each looked. The elder (grown a trifle thinner) , sweet à ravir in tomato-red, while her sister, plump as a corn-fattened partridge, and very perceptibly powdered, seemed like the flower of the prairie sugar-cane when it breaks into bloom.
”
Source: Gutenberg

Portrait of Ronald Firbank Ronald Firbank,  Sorrow in Sunlight (1924)

“ The Villa Alba, half-buried in spreading awnings, and surrounded by many noble trees, stood but a short distance off the main road, its pleasaunces enclosed by flower-enshrouded walls, all a-zig-zag, like the folds of a screen. Beloved of lizards, and velvet-backed humming-birds, the shaded gardens led on one side to the sea.
“To make such a noise at dis hour,” the negress murmured, going grumblingly at [Pg 49] length to the gate, disclosing, upon opening, a gentleman in middle-life, with a toothbrush moustache and a sapphire ring.
“De mist’ess still in bed, sah.”
”
Source: Gutenberg

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