“ We leave our volante to join the gauzy, chattering stream, and suddenly stumble upon—none other than the gentlemanly Creole officer who was our table vis-à-vis at Guiness. Offering me his arm, the rest following, we walked round and round the flower-scented grounds, listening to all the music that could insert itself between the pauses of our conversation. Very soon fatigue and faintness drive us in to the Dominica, a restaurant of which Matanzas is justly proud,—to my taste, with its cheerful frescoes, much more inviting than the one at Havana. ”
Anonymous
Summary
Rambles in Cuba, an anonymous 19th-century travelogue, offers a vivid, observant account of the author’s journeys through key Cuban locales such as Havana, Matanzas, and Nassau. Focusing on cultural encounters, natural landscapes, and social dynamics, the text explores Creole and Spanish influences, plantation life, and the interplay between colonial heritage and local identity.
Through detailed descriptions of settings—flower-scented grounds, bustling markets, and religious rituals—the work captures the sensory and social textures of Cuban society, blending personal reflection with acute attention to regional peculiarities. Its fragmented, diary-like structure underscores a preoccupation with ephemeral experiences and the challenges of cross-cultural communication.
Quotes from Rambles in Cuba (Anonymous)
“ April 1st.—Palm Sunday—like all the other Cuban Sundays, except that two, or at most three, men have passed on horseback, with long palm branches in their hands.A south wind again, more enervating than can well be imagined by those who have never felt it come hot and hissing from the equator. It is an incipient sirocco, and always sends the Italians to bed. Of course, too languid for the early, and only mass, coming as it does, before breakfast: the rest of the day we have only to endure with the aid of a fan, and to watch the altitudes of the thermometer. ”
“ With all our interest in this Creole, I could not help a sensation of relief, when he rose to bid us good-night. It is so difficult talking with a foreigner who can only comprehend your simplest words, which express your simplest ideas. You feel like a child talking to a child, knowing all the time that you are without the innocence or beauty of children. And this repression of thought, instead of repressing the voice, gives one an unconquerable instinct to raise it to its highest pitch. One seems to think that an immense quantity of sound will hide an immense lack of sense ”
