Joseph Hergesheimer

Joseph Hergesheimer

Summary

Portrait of Joseph Hergesheimer Joseph Hergesheimer San Cristóbal de la Habana

Moving in them, I had the feeling of blundering awake into a dream, of being irretrievably lost in an illusion of potential horror. An open door with its glimpse into an inner room only increased the oppression: it, too, was brilliant with electricity, a room of unrelieved icy pallor, except for a warmer blur under an Agony on the Cross, where a small company of men and women sat in a rigid blanched formality that might have been death.
It was quite natural, a commonplace of Havana; but rather than a picture of familiar life, it resembled the memento mori of a grotto.
Source: Gutenberg

Portrait of Joseph Hergesheimer Joseph Hergesheimer San Cristóbal de la Habana

Havana was a city of balconies, of barred windows, of houses impenetrable, blank, to the streets, but open on the garden rooms of patios. And suddenly—while the moment before I had been impatient at the bareness resulting from their absence—I was overwhelmingly conscious of the pervading influence of charming women. Here they were infinitely more appealing than in places where they were set out in the rows of a market, sometimes like flowers, but more often resembling turnips and squashes. Here, with extreme flattery, women were regarded as dangerous, as always desirable, and capable of folly.
Source: Gutenberg

Portrait of Joseph Hergesheimer Joseph Hergesheimer San Cristóbal de la Habana

My memory was composed of what I'd experienced and the reflections, the thoughts, that had given birth to; and, of them, the latter were the more real, solider than the Prado, more tangible than the dining-room of the Inglaterra. Without them Havana would have been meaningless, sterile, simply a museum about which nothing could be written but a catalogue. It was its special charm to be charged with sensations rather than facts; a place where facts—not, of a kind, absent—could be safely ignored.
Source: Gutenberg

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