Julia Ward Howe

Julia Ward Howe

Summary

Portrait of Julia Ward Howe Julia Ward Howe A Trip to Cuba

A fierce shower of rain follows,—our table is set in a gallery inclosed on one side only with Venetian blind-work, and through this the rain rushes at us like a volley of canes flung into the pit of a theatre. It grows dark, and for an hour or so, very cold. There is an instantaneous closing of doors and wooden window-shutters, and we of the Dinner protect ourselves from the wet and chill with the few warm garments we have with us,—for is not the bulk of our solid clothing laid up at Havana in that sea-trunk which we could wish never to open again?
Source: Gutenberg

Portrait of Julia Ward Howe Julia Ward Howe A Trip to Cuba

We have jolted for three weary days over the roughest of ocean-highways, and Cuba, nay, Havana, is in sight. The worst cases are up, and begin to talk about their sea-legs, now that the occasion for them is at an end. Sobrina, the chief wit of our party, who would eat sour-sop, sapodilla, orange, banana, cocoa-nut, and sugar-cane at Nassau, and who has lived upon toddy of twenty-cocktail power ever since,—even she is seen, clothed and in her right mind, sitting at the feet of the Prophet she loves, and going through the shawl-and-umbrella exercise.
Source: Gutenberg

Portrait of Julia Ward Howe Julia Ward Howe A Trip to Cuba

NASSAU looked very green and pleasant to us after our voyage;—the eyes enjoy a little fresh provision after so long a course of salt food. The first view of land is little more than "the feeling of the thing,"—it is matter of faith, rather than of sight. You are shown a dark and distant line, near the horizon, without color or features. They say it is land, and you believe, it. But you come nearer and nearer,—you see first the green of vegetation, then the form of the trees,—the harbor at last opens its welcome arms,—the anchor is dropped,—the gun fired,—the steam snuffed out.
Source: Gutenberg

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