Summary

Walter Goodman The Pearl of the Antilles, or An Artist in Cuba

The military square presents an animated scene on the evenings of the raffle. Twelve tables, bearing rich cloths and silver candelabra, are distributed about the broad promenade of the plaza. Around each table are seated a score of the fairest of Cuba's daughters, elegantly attired in evening costume, without any head-covering, and with only a scarf or shawl lightly protecting their fair shoulders. Doña Mercedes looks charming in a pink grenadine dress, and with her luxuriant black hair tastefully arranged, as a Cuban Señora alone knows how.
Source: Gutenberg

Walter Goodman The Pearl of the Antilles, or An Artist in Cuba

I pick and open one of these berries, and somebody observing, 'Que café tan abundante!' I discover that what I have plucked is coffee in a raw state.
'Que admirable es la naturaleza!' sings a Spanish dramatist. Nature is, indeed, much to be admired, especially when you are viewing her in orange groves, where oranges, for the trouble of picking them, hang invitingly over your very mouth, seeming to say, 'Eat me, stranger.' Some are small and green as gooseberries; others are big as your head, and of the bright hue to which they give a name.
Source: Gutenberg

Walter Goodman The Pearl of the Antilles, or An Artist in Cuba

It is a one-storied dwelling with marble floors and white-washed walls, and is furnished with bran-new cane-bottomed chairs and other adornments belonging to a Cuban residence. The huge doors and windows of every apartment are thrown open to their widest and the interior being brilliantly lighted with gas, the view from the street is almost as complete as within the premises. Everybody crowds into the latter, and examines the arrangements of each chamber with as deep an interest as if they were wandering through an old baronial mansion with cards of invitation from its absent owner.
Source: Gutenberg

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