Ronald J. McNeill, Century Magazine
“ One matter which must be of interest to every lover of dramatic art, and which has been an enigma to many people, is now for the first time dealt with by one with authority to discuss the question. Why did Jenny Lind quit the stage at the moment of her greatest glory, and many years before her unrivaled powers had begun to suffer any decay? Some have perhaps reluctantly accepted the widely prevalent idea that she had come to regard the dramatic profession as an unholy thing which no pure-souled woman could remain in without contamination. ”
