Summary

Rowland Thomas The Little Gods: A Masque of the Far East

Such as Sicaba was at heart, it stood revealed.
When the sun rose, John McGennis rose too, and stood for a moment, unshivering in the lukewarm air, to look down on the poverty of his town, before he turned to pour water over himself out of an old tomato-can.
Like the morning and the sea and the air, the water had no tang in it, and McGennis, drying himself slowly and methodically, felt no fresher for his bath. When a youthful and well-tempered body fails to respond to the caress of sluicing water, there is generally something wrong with the mind which inhabits it.
Source: Gutenberg

Rowland Thomas The Little Gods: A Masque of the Far East

His muchacho came to light a lamp, and McGennis sent him away. Later his cook came, speaking authoritatively of dinner, and McGennis sent his cook away, too, and sat on in the dark.
At last it was the hour when even Sicaba, for a little while, must seem beautiful to the most hostile critic. It is the hour when the full power of night descends upon the world, when the wind dies away to the merest murmur, and the drone of the surf becomes deep and solemn, and the great yellow stars burn very steadily against the soft velvet of the sky.
Source: Gutenberg

Rowland Thomas The Little Gods: A Masque of the Far East

She was glorious, this slim, soft brown thing with the dusky hair and the straight, slender neck, and—"I'se little, but I ain't afraid." Ages of civilization dropped from the man as he gazed, and with a graceless pity he compared the pale fettered women he had known with this free, wild, perfect thing whose feeling was her life. She was talking with her tongue and eyes and hands, and Fagan answered a few words and laughed, and she laughed, too, a sound as natural and sweet as the ripple of a stream, and then her great eyes lighted with earnestness as she went on.
Source: Gutenberg

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