Summary

Portrait of Rudyard Kipling Rudyard Kipling Plain Tales from the Hills

WRESSLEY OF THE FOREIGN OFFICE. I closed and drew for my love's sake, That now is false to me, And I slew the Riever of Tarrant Moss, And set Dumeny free. And ever they give me praise and gold, And ever I moan my loss, For I struck the blow for my false love's sake, And not for the men at the Moss. Tarrant Moss.
One of the many curses of our life out here is the want of atmosphere in the painter's sense. There are no half-tints worth noticing. Men stand out all crude and raw, with nothing to tone them down, and nothing to scale them against.
Source: Gutenberg

Portrait of Rudyard Kipling Rudyard Kipling Plain Tales from the Hills

The light was just enough to show Azizun, pressed against one corner of the room with the terrier between her knees; Janoo, with her hands clasped, leaning forward as she sat on the bed; Suddhoo, face down, quivering, and the seal-cutter.
I hope I may never see another man like that seal-cutter. He was stripped to the waist, with a wreath of white jasmine as thick as my wrist round his forehead, a salmon-colored loin-cloth round his middle, and a steel bangle on each ankle. This was not awe-inspiring. It was the face of the man that turned me cold.
Source: Gutenberg

Portrait of Rudyard Kipling Rudyard Kipling Plain Tales from the Hills

There was a burning hot wind blowing that brought up a stench of stale brick-kilns with it; and through the half light and through the dust-devils, across that desolate plain, flickered the brown holland habit on the gray horse. She headed for the Station at first. Then she wheeled round and set off for the river through beds of burnt down jungle-grass, bad even to ride a pig over. In cold blood I should never have dreamed of going over such a country at night, but it seemed quite right and natural with the lightning crackling overhead, and a reek like the smell of the Pit in my nostrils.
Source: Gutenberg

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