Rudyard Kipling

Rudyard Kipling

Summary

Portrait of Rudyard Kipling Rudyard Kipling ../../../

McPhee came down-stairs with a sober foot—he steps as lightly as a cat for all his weight, when he is at sea—and shook hands in a new and awful manner—a parody of old Holdock’s style when he says good-bye to his skippers. Being a man who flatters himself that he can put two and two together, I perceived at once that it must be a legacy.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling ../../../

There was nothin’ the old man would not do, except paint. That was his deeficulty. Ye could no more draw paint than his last teeth from him. He’d come down to dock, an’ his boats a scandal all along the watter, an’ he’d whine an’ cry an’ say they looked all he could desire. Every owner has his non plus ultra, I’ve obsairved. Paint was McRimmon’s. But you could get round his engines without riskin’ your life, an’, for all his blindness, I’ve seen him reject five flawed intermediates, one after the other, on a nod from me; an’ his cattle-fittin’s were guaranteed for North Atlantic weather.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling ../../../

He’s laid her up to paint her—to paint her—to paint her!' says the little clerk, dancin’ like a hen on a hot plate. 'Five thousand ton o’ potential freight rottin’ in dry dock, man; an’ he dolin’ the paint out in quarter-pound tins, for it cuts him to the heart, mad tho' he is. An’ the "Grotkau"—the "Grotkau" of all conceivable bottoms—soaking up every pound that should be ours at Liverpool!'
"I was staggered wi’ this folly—considerin’ the dinner at Radley’s in connection wi’ the same.
"'Ye may well stare, McPhee,' says the headclerk.
Source: Wikisource

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