Ruth Plumly Thompson

Ruth Plumly Thompson

Summary

Portrait of Ruth Plumly Thompson Ruth Plumly Thompson The Gnome King of Oz (1927)

As the door slammed upon Piecer, the Chief Scrapper faced the Patchwork Girl. “Go on, get as mad as you please,” he urged cheerfully. “The madder you are the better we like you. The crosser you grow the better queen you’ll make for Patch, our Queens must be good scolders,” he chuckled, rubbing his hands gleefully together.
“I’m not your queen,” screamed Scraps, stamping one foot and then the other. “Take me back to the Emerald City, you miserable ragamuffin. I am a free subject of Ozma of Oz.”
Source: Gutenberg

Portrait of Ruth Plumly Thompson Ruth Plumly Thompson The Gnome King of Oz (1927)

Hold him!” panted the Wizard, rushing forward with his black bag. “I remember now the magic to make him visible.” The little Wizard of Oz seldom uses chants and, instead of the verse Wumbo had employed, sprinkled a black and white powder over the Gnome King. Even years afterward Peter could remember the distorted and furious face of Ruggedo, as the spell of the magic cloak was broken and he stood revealed to his enemies. Struggling to shake off the clutch of Kuma’s hand, he was desperately trying to speak to the magic belt.
Source: Gutenberg

Portrait of Ruth Plumly Thompson Ruth Plumly Thompson The Gnome King of Oz (1927)

Always Kuma’s hand flashed on ahead, making the way easy, taking down fence bars, opening gates, thrusting aside the branches of trees. Many of the Quilties saw them from the cottage windows, but before they could get down to their doors the strange procession had passed by. Scraps, being magically made and stuffed with cotton, did not tire, but Grumpy and Peter were soon panting with exhaustion. There was a remedy for even this, however. Throwing down the club, Kuma’s arm jerked first one and then the other into the air, carrying them by turns to the very edge of the little Kingdom.
Source: Gutenberg

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