Summary

S. Baring-Gould Arminell: A Social Romance, Vol…

The tortuous ascent began at the cottage, Chillacot, but Saltren drew his wife past the point whence it rose to where the evening sun cast the black shadow of the crag or “cleave” across the glen, and there—lying on broken, fallen stones, with his hands outstretched, his face to the clear sky, lay Lord Lamerton, dead.
Marianne Saltren cowered back, she was too frightened by what she saw to care to approach; but her husband’s vice-like grasp did not relax for all her weeping and entreaties. He compelled her to come close to the fallen man.
Source: Gutenberg

S. Baring-Gould Arminell: A Social Romance, Vol…

What a condition of affairs would ensue if the marriage of Marianne were a real one. Why the present Lady Lamerton would not be a proper wife, nor little Giles legitimate any more than herself.
Arminell was young, had no practical knowledge of the world, and her imagination had been fed by novels, not of the most wholesome quality. Such an incident, such a hideous entanglement involving so many was quite in accordance with romance, and the young are always expecting reality to take romantic lines, as the old are always mistrusting the romantic, as the garb of falsehood.
Source: Gutenberg

S. Baring-Gould Arminell: A Social Romance, Vol…

But what is that save to revert to social Adamanism and Bosjesmanism—to savagery in its basest and nastiest form—to renounce the form as well as the power of culture.
Phædrus tells in one of his fables of an old woman who found an empty amphora of old Falernian wine; she put her nose to the mouth and snuffed and said, “If you smell so sweet when void, how sweet you must be when full.”
Well! let us say that half the politeness and grace and charm of society is unreal. It is the aroma of the old Falernian.
Source: Gutenberg

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