Summary

S. C. Hammer Ludvig Holberg, The Founder of Norwegian Literature and an Oxford Student

He sits in bronze in an arm-chair outside the main entrance of the Royal Theatre at Copenhagen; his noble sepulchre is at Soroe, a dreaming little site of learning in Zeeland. He looks down from his pedestal upon the busy life of the Bergen fishmarket, leaning upon his walking stick as if he was about to make a remark. Over the portico of the National Theatre at Christiania, facing the square, his name is inscribed in golden letters between those of Ibsen and Björnson. It is the ambition of all comic actors in Norway and Denmark to appear in one of the chief characters of his immortal gallery.
Source: Gutenberg

S. C. Hammer Ludvig Holberg, The Founder of Norwegian Literature and an Oxford Student

Even in our days these differences still make themselves felt in some degree. All this you must bear in mind when you speak about Holberg. The remarkable influence exercised upon him by Bergen gives the clue to his personality—to his genius as a playwright, to his liberal views as an historian, to his clear, realistic reasoning as a philosopher. It is always Bergen, never Copenhagen, which is uppermost in his mind.
Source: Gutenberg

S. C. Hammer Ludvig Holberg, The Founder of Norwegian Literature and an Oxford Student

It is the opinion of a man whose correct and blameless demeanour, no less than his sincerity, his loyalty, and his intellectual abilities, had won him the appreciation of his professors and the friendship of his fellow-students. His English was excellent, and he does not conceal the fact that he is a bit proud of it. Indeed, it is somewhat of a sacrifice not to indulge in quotations from Holberg's autobiography—particularly so at the point at which we find ourselves now—for his description of his stay at Oxford is highly attractive, not only from a literary but a human point of view.
Source: Gutenberg

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