Summary

Portrait of S. Frances Harrison S. Frances Harrison Crowded Out! and Other Sketches

Joseph! And you so forgiving! Mercy me, and people say men make all the trouble!”
“It's half-and-half, Mrs. Cox, dear old soul,” muttered Mr. Joseph, leaning back on his cushions. “I suppose we were both to blame. I can't, for the life of me, fall to talking of it as a judgment, for before heaven, I had done nothing. Yet I forgot how lonely she was and how proud, and I forgot too, that Ellen—that Ellen—”
“Ay, Mr. Joseph. It was Ellen too. Poor Ellen, that passed away out of it all!”
“And she—Miss Dexter—is still here, still living by herself in the cottage by the oak!
Source: Gutenberg

Portrait of S. Frances Harrison S. Frances Harrison Crowded Out! and Other Sketches

Is it only in Paris that money allures and rank dazzles, and a dark eye or a light step entrances, this night—as in the play? Is it only in Paris that nature is human and that humanity is vile, or weak, or pure, or firm, as this night in the play? Oh! in that obscure little Canadian village, a lonely old maid locked her door that morning and pulled down her blind that the daylight might not come in and see her misery, might not mock even more malignantly than the ignorant, impertinent and hard-hearted woman who had dealt her this blow.
Source: Gutenberg

Portrait of S. Frances Harrison S. Frances Harrison Crowded Out! and Other Sketches

I see the terrace where the hound must still sleep; I see the square side tower with the black iron shutters; I see the very window where Hortense has set her light; I see the floating cribs on the river, I hear the boatmen singing—
Descendez â l'ombre, Ma Jolie blonde.
And now I am dreaming surely! This is London, not Beau Séjour, and Hortense is far away, and it is that cursed fellow in the street I hear! The morrow comes on quickly. If I were to draw up that crooked blind now I should see the first streaks of daylight. Who pinned those other curtains together?
Source: Gutenberg

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