Sabine Baring-Gould

Sabine Baring-Gould

Summary

Portrait of Sabine Baring-Gould Sabine Baring-Gould Curious Myths of the Middle Ages… (1866)

But, instead of pursuing the fable through its further ramifications, let us apply the schamir of comparative mythology to the myth itself, and see whether before it the bolts do not give way, and the great doors of the cavern of mysteries expand, and discover to us the origin of the superstitious belief in this sea-prince’s worm, the stone of wisdom, sesame, forget-me-not, or the hand of glory.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould Curious Myths of the Middle Ages… (1866)

It bursts locks, and shatters stones, it opens in the mountains the hidden treasures hitherto concealed from men, or it paralyzes, lulling into a magic sleep, or, again, it restores to life.
I believe the varied fables relate to one and the same object—and that, the lightning.
But what is the bird which bears schamir, the worm or stone which shatters rocks? It is the storm-cloud, which in many a mythology of ancient days was supposed to be a mighty bird.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould Curious Myths of the Middle Ages… (1866)

The head of Medusa, with its flying serpent locks, is unquestionably the storm-cloud; and the basilisk which strikes dead with its eye is certainly the same. The terror inspired by the outburst of the thunder-storm is expressed in fable by the paralyzing effect of the eye of the cockatrice, the exhibition of the Gorgon’s countenance, and the waving of the glorious hand.
Source: Wikisource

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