Summary

Portrait of Sabine Baring-Gould Sabine Baring-Gould The Story of Jael — Chapter IV: On the Bridge (1887)

I ask any one who hears me,’ said Jeremiah, ‘is it possible that he can love you when he goes over to Fingrinhoe and fetches you a mother from there, and that woman, Mrs Bagg? It is impossible. Every scrap of love is gone out of him—if he ever had any.’
Then for a few minutes they stood silent, hand in hand, Jael looking dreamily across the silver of the empty channel—dull silver, with one thread in it of liquid, quivering mercury. The tide was rising and flowing in, up the channel, gurgling round the beams that supported the bridge.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould The Story of Jael — Chapter IV: On the Bridge (1887)

Why, Jael, they sell the land there for half-a-crown an acre, and that will make four hundred acres. Farmer Marriage hasn’t got one so big as that, and he’s churchwarden and guardian, and he rents his from the squire; we shall own ours. By George! we shall be grand folks! That will be happiness. No soldiering for me, and no-mother-in-lawing—no, I mean step-mothering for you.’
Jael put up her hand to her brow, then over her lips which were trembling, but the hand trembled also; she stayed it by resting her elbow in the hollow of the other hand crossed before her.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould The Story of Jael — Chapter IV: On the Bridge (1887)

That has always stood against me—having nothing. You can’t begin from nothing, any more than you can stand upon nothing. They call money in hand capital, but I don’t, I call it pedestal. It is not that which crowns but that which supports. What would this bridge be, if it were not for these sustaining posts? Well, your fifty pounds will be the supporting beams on which the line of our life will be carried.’
‘I cannot take it, Jerry, without my father’s consent.’
‘You will leave your mother’s money to this second woman to use, I suppose. Jael!
Source: Wikisource

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