Samuel Spewack

Samuel Spewack

Summary

Portrait of Samuel Spewack Samuel Spewack Exiles of the sky (1926)

A strange fear gripped him in this mist-woven wilderness of sky. Suddenly the image of the director drawing the red pencil through his name reappeared.... But the fat-jowled, thin-lipped face had no eyes—just sockets.
To the fear-crazed pilot, this was the writing in the sky—the red pencil was Death and the eyeless face was Fate.
“A man can fight Death—but not Fate,” shouted Vladimir, but no one heard. And no one saw when, slumping to his knees, he clutched the control lever as if in prayer. The plane with its unconscious burden crazily sank.
Source: Gutenberg

Portrait of Samuel Spewack Samuel Spewack Exiles of the sky (1926)

It was a lovely face with dark eyes that brought back to Vladimir the sound of silver laughter, of troika bells, and the sight of gilt domes, the blue sky and snow-covered streets of Moscow.
“Most of us went to Paris, but I chose Pomerania,” the girl explained easily. “And now sleep. Tomorrow we’ll talk.”
But the next day, the girl didn’t stop to talk, despite her promise. She placed Vladimir’s food on a stool near his bed and left, smiling her lip smile, as she slipped her feet into the wooden shoes at the door.
When he finished his food, he felt so much stronger that he arose and dressed.
Source: Gutenberg

Portrait of Samuel Spewack Samuel Spewack Exiles of the sky (1926)

This patch of green in the wilderness of factory lands, where the flight of men began and ended, was his no longer. What matter if he knew it from the sky as other men know a beloved face? He was now an exile from the sky and from this field, which brought men to the sky. This field to him had become home when revolution had exiled him from his home. And now he had lost this too.
Even the night watchman—silly doddering old fool—had his place here. But Vladimir Uspensky, proudest of pilots, had none. Probably the night watchman knew of his disgrace, and would pity him.
Source: Gutenberg

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