Sara Teasdale

Sara Teasdale

Summary

Portrait of Sara Teasdale Sara Teasdale Dark of the Moon (1926)

Nothing escapes, nothing is free.”
52
Clear Evening
The crescent moon is large enough to linger
A little while after the twilight goes,
This moist midsummer night the garden perfumes
Are earth and apple, dewy pine and rose.
Over my head four new-cut stars are glinting
And the inevitable night draws on;
I am alone, the old terror takes me,
Evenings will come like this when I am gone;
Evenings on evenings, years on years forever—
Be taut, my spirit, close upon and keep
The scent, the brooding chill, the gliding fire-fly,
A poem learned before I fall asleep.
Source: Gutenberg

Portrait of Sara Teasdale Sara Teasdale Dark of the Moon (1926)

But in the sunshine, in the vague autumn sunshine,
The geometric gardens are desolately gay;
The crimson and scarlet and rose-red dahlias
Are painted like the ladies who used to pass this way
With a ringletted monarch, a Henry or a Louis
On a lost October day.
The aisles of the garden lead into the forest,
The aisles lead into autumn, a damp wind grieves,
Ghostly kings are hunting, the boar breaks cover,
But the sounds of horse and horn are hushed in falling leaves,
Four centuries of autumns, four centuries of leaves.
Source: Gutenberg

Portrait of Sara Teasdale Sara Teasdale Dark of the Moon (1926)

You will not stay to share our lengthening night.
78
“I Could Snatch a Day”
I could snatch a day out of the late autumn
And set it trembling like forgotten springs,
There would be sharp blue skies with new leaves shining
And flying shadows cast by flying wings.
I could take the heavy wheel of the world and break it,
But we sit brooding while the ashes fall,
Cowering over an old fire that dwindles,
Waiting for nothing at all.
Source: Gutenberg

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