Summary

Portrait of Sax Rohmer Sax Rohmer Munsey's Magazine, Volume 86, Issue 4… (1926)

Camp life within the precincts of the Temple of Medinet Habu has many drawbacks, but at least one may stand where heaps of precious ingots once gleamed within the treasury of Rameses in Thebes, the city of the hundred gates; one may share the apartment over the great pylon with bats and creeping things, and, by the light of that same old moon which shone upon golden Pharaoh, watch painted ladies of the royal harem wave flabella before the mighty one, cast flowers at his feet, and receive the reward of his godlike caresses.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Munsey's Magazine, Volume 86, Issue 4… (1926)

Desmond looked long and ardently at his companion, as she moved onward again. Only she had a true place in a picture of the greater city which now was rising up before him. The modern, empty Luxor was fading, and upon richer banks of the ancient river, looming shadowly, were the stately walls of the city of a hundred gates. He seemed to be pacing beside the Nile with a Pharaoh's queen on a night of long, long ago.
“Tell me about your work in the temple,” she said, breaking an eloquent silence. “You are looking for the sacred ornaments of the Princess Taia, are you not?”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Munsey's Magazine, Volume 86, Issue 4… (1926)

Mme. de Medicis dropped the cigarette from her taper fingers into the little bowl upon the table at her side. Women were there to-night whose reputation for smartness was well deserved, and who, covertly watching madame, knew her to be dressed with a daring yet exquisite tastefulness which they might copy but could never equal. Women were there whom, society called beautiful, but their beauty became very ordinary prettiness beside the dazzling loveliness of Desmond's companion.
Source: Wikisource

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