Summary

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — Kerry's Kid (1922)

Young Kerry's sleepiness departed. He leapt to his feet as though electrified.
“What was that?”
There was something horrifying in those gong notes in the stillness of the night. Lady Pat's beautiful eyes grew glassy with fear.
“I don't know,” replied Dan. “It seemed to come from below.”
He ran to the door, drew the curtain aside, and pressed his ear against one of the panels, listening intently. As he did so, his attitude grew tense, his expression changed, then:
“We're saved!” he cried, turning a radiant face to the woman. “I heard my father's voice!”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — Kerry's Kid (1922)

Zani Chada made no reply, but his knuckles gleamed, so tightly did he clutch the knobs on the chair arms. Kerry's savagery would have awed any man, even though he had supposed it to be the idle threat of a passionate man. But Zani Chada knew all men, and he knew this one. When Daniel Kerry declared that in given circumstances he would kick Zani Chada to death, he did not mean that he would shoot him, strangle him, or even beat him with his fists; he meant precisely what he said—that he would kick him to death—and Zani Chada knew it.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — Kerry's Kid (1922)

A rainwater-pipe was within reach of his hand on the right of the window and, leaning out still farther, young Kerry saw that it passed beside two other, larger, windows on the floor beneath him. Neither of these showed any light.
Dizzy heights have no terror for healthy youth. The brackets supporting the rain-pipe were a sufficient staircase for the agile Dan, a more slippery prisoner than the famous Baron Trenck; and, discarding his muffler and his Burberry, he climbed out upon the sill and felt with his thick-soled boots for the first of these footholds.
Source: Wikisource

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