Summary

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — The Daughter of Huang Chow (1922)

He was a clever man within his limitations, and cultured up to a point; but he was not philosopher enough to know that he viewed the purlieus of Limehouse through a haze of Oriental mystery conjured up by the conversation of his companion. Temple bells there were in the clangour of the road cars. The smoke-stacks had a semblance of pagodas. Burma she had conjured up before him, and China, and the soft islands where she had first seen the light. For as well as a streak of European, there was Kanaka blood in Lalá, which lent her an appeal quite new to Durham, insidious and therefore dangerous.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — The Daughter of Huang Chow (1922)

This great treasure-house of old Huang Chow was one of Chinatown's secrets—a secret shared only by those whose commercial interests were identical with the interests of Huang Chow.
The place was artificially lighted by lamps which themselves were beautiful objects of art, and which swung from the massive beams of the ceiling. The floor of the warehouse, which was partly of stone, was covered with thick matting, and spread upon it were rugs and carpets of Karadagh, Kermanshah, Sultanabad, and Khorassan, with lesser-known loomings of almost equal beauty. Skins of rare beasts overlay the divans.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Tales of Chinatown — The Daughter of Huang Chow (1922)

He looked into a small, cell-like room, lighted by one window, where upon a low bed Huang Chow lay sleeping peacefully!
Durham almost held his breath; then, withdrawing as quietly as he had approached, he descended the stair. At the foot his attention was again arrested by the faint scuffling sound. It ceased as suddenly as it had begun, leaving him wondering and conscious anew of a chill of apprehension.
Source: Wikisource

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