Summary

Portrait of Sherwood Anderson Sherwood Anderson Triumph of the Egg, and Other Stories

Now the mad bushes and the flowering weeds came running, dancing madly, now the joyful grasses hopped. Rosalind could not stay long in her world of fancy. It was too mad, too joyful. She opened her eyes and jumped to her feet. Everything was all right. The trees stood solidly rooted in the ground, the weeds and bushes had gone back to their places by the fence, the grasses lay asleep on the ground. She felt that her father and mother, her brother, everyone she knew would not approve of her being there among them. The world of dancing life was a lovely but a wicked world.
Source: Gutenberg

Portrait of Sherwood Anderson Sherwood Anderson Triumph of the Egg, and Other Stories

That would have been sweetest of all things—to sway like the tops of young trees when a wind blew, to give himself as grey weeds in a sunburned field gave themself to the influence of passing shadows, changing color constantly, becoming every moment something new, to live in life and in death too, always to live, to be unafraid of life, to let it flow through his body, to let the blood flow through his body, not to struggle, to offer no resistance, to dance.
Source: Gutenberg

Portrait of Sherwood Anderson Sherwood Anderson Triumph of the Egg, and Other Stories

A profound silence reigned over the orchard and when she had crawled under the fence and reached the widow's back yard she had to feel her way through a narrow opening between a chicken house and a barn by running her fingers forward over the rough boards.
Her mother sat on the porch waiting and on the narrow porch before his house next door sat Melville Stoner. She saw him as she hurried past and shivered slightly. "What a dark vulture-like thing he is! He lives off the dead, off dead glimpses of beauty, off dead old sounds heard at night," she thought.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature