Sherwood Anderson

Sherwood Anderson

Summary

Portrait of Sherwood Anderson Sherwood Anderson Poor White: A Novel

Like Kate, Clara wanted to be fair and square. “A woman should be fair and square, even with a man,” Kate had said. “The man I'm going to have as a husband is simple and honest,” she thought. “If there are things down there in town that are not square and fair, he had nothing to do with them.” Realizing a little Hugh's difficulty in expressing what he must feel, she wanted to help him, but when she turned and saw how he did not look at her but continually stared into the darkness, pride kept her silent.
Source: Gutenberg

Portrait of Sherwood Anderson Sherwood Anderson Poor White: A Novel

Hugh's hair was coarse like the mane of a horse, and his nose was like the nose of a horse. He was, she decided, very like a horse; an honest, powerful horse, a horse that was humanized by the mysterious, hungering thing that expressed itself through his eyes. “If I have to live with an animal; if, as Kate Chanceller once said, we women have to decide what other animal we are to live with before we can begin being humans, I would rather live with a strong, kindly horse than a wolf or a wolfhound,” she found herself thinking.
Source: Gutenberg

Portrait of Sherwood Anderson Sherwood Anderson Poor White: A Novel

In the spring of his second year in Bidwell, Hugh went often in the evening to watch the plant setters at work in the moonlight on the French farm. He did not make his presence known but hid himself in a fence corner behind bushes and watched the workers. As he saw the stooped misshapen figures crawling slowly along and heard the words of the old man driving them like cattle, his heart was deeply touched and he wanted to protest. In the dim light the slowly moving figures of women appeared, and after them came the crouched crawling men.
Source: Gutenberg

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