Stanley G. Weinbaum

Stanley G. Weinbaum

Summary

Portrait of Stanley G. Weinbaum Stanley G. Weinbaum The Worlds of If

Van Manderpootz takes always the shortest, the most logical course. I do not travel along time, into past or future. No. Me, I travel across time, sideways!"
I gulped. "Sideways into time! What's there?"
"What would naturally be there?" he snorted. "Ahead is the future; behind is the past. Those are real, the worlds of past and future. What worlds are neither past nor future, but contemporary and yet—extemporal—existing, as it were, in time parallel to our time?"
Source: Gutenberg

Portrait of Stanley G. Weinbaum Stanley G. Weinbaum The Worlds of If

I have a—well, an undeserved reputation for being late to everything; something always comes up to prevent me from getting anywhere on time. It's never my fault; this time it was a chance encounter with my old physics professor, old Haskel van Manderpootz. I couldn't very well just say hello and good-bye to him; I'd been a favorite of his back in the college days of 2014.
I missed the airliner, of course. I was still on the Staten Bridge when I heard the roar of the catapult and the Soviet rocket Baikal hummed over us like a tracer bullet with a long tail of flame.
Source: Gutenberg

Portrait of Stanley G. Weinbaum Stanley G. Weinbaum The Worlds of If

Van Manderpootz pointed to the headpiece. "Put it on," he said, and I sat staring at the screen of the psychomat. I suppose everyone is familiar with the Horsten psychomat; it was as much a fad a few years ago as the ouija board a century back. Yet it isn't just a toy; sometimes, much as the ouija board, it's a real aid to memory. A maze of vague and colored shadows is caused to drift slowly across the screen, and one watches them, meanwhile visualizing whatever scene or circumstances he is trying to remember.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature