Stephen McKenna

Stephen McKenna

Summary

Portrait of Stephen McKenna Stephen McKenna To-morrow and to-morrow ... a novel (1924)

Had the association of one human being with another, in his national and international grouping, grown so complex that no one could control it? Had the world become like the Roman Empire in its last days, when—for no reason that a statesman of the day or an historian of later days could enunciate—the mighty machine ceased to revolve? If the aim of government was to secure the life and liberty of the governed and to lead them towards prosperity and happiness, government had palpably failed in victorious England and France, in defeated Germany, in revolutionary Russia.
Source: Gutenberg

Portrait of Stephen McKenna Stephen McKenna To-morrow and to-morrow ... a novel (1924)

The dead so came to life, as I wrote about them, that sometimes I would lay down my pen and forget the war for the days before David O’Rane was blinded and Tom Dainton killed, the days when every one was quoting Barbara’s latest epigram and discussing Val Arden’s last novel, the days when Sonia Dainton broke a heart a week and an engagement a season. Musing of days and nights softened by time, I felt that never had there been such years in the life of any country, never had there been women and men like those of our generation.
Source: Gutenberg

Portrait of Stephen McKenna Stephen McKenna To-morrow and to-morrow ... a novel (1924)

There are financial groups and political caves; my cousin Laurence, who has cultivated a knowing and shrewd manner, runs feverishly from one to another, nodding, whispering, waving a vast cigar and, I fancy, rather modelling himself on Saltash. Sam Dainton, who is beginning to look dissipated, engages in feverish pursuit of one woman after another. This fever has infected the women; the divorce-court does a flourishing trade; no one can remember who at any moment is allied with whom; and Sam makes overtures to all in the sure belief that some—and, perhaps, most—will prove to be complaisant.
Source: Gutenberg

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