“ Oh, Angeliké, sister mine, he must not! It is not the custom of the English. With them the man speaks first.” “But he might be refused!” cried Angeliké, aghast at the idea of subjecting the nobler sex to such an indignity. “Are you sure? Who told you?” “Sofia, the Lady Zoe’s maid. And she said that with them a woman whose parents spoke for her would be eternally despised. Nor would the man consent to marry her.” “Well, of all the barbarous customs! But fear not, my sister. No man refuses what the Despot of Strio offers.” ”
Sydney C. Grier
Summary
Sydney C. Grier’s The Prize is a novel set in the fictional principality of Strio, examining tensions between tradition and personal freedom through the lives of its protagonists, including Danaë, a spirited girl negotiating marital expectations, and Petros, her brother, a prominent political figure. The narrative explores cultural conflicts, particularly between Strian customs and European conventions, as seen in discussions over marriage practices and gender roles.
Central themes of authority, familial obligation, and the quest for independence are highlighted through vivid dialogues and symbolic items like the Girdle of Isidora, reflecting the characters’ moral and social struggles. Grier’s work combines personal aspirations with the strict frameworks of inherited position, illustrating how individuals maneuver within the boundaries of their societal roles.
Quotes from The Prize (Sydney C. Grier)
“ I will not risk the little lord’s life again,” she forced herself to say. “On your knees, Eurynomé!” said Prince Romanos sharply, conscious of his wife’s raised eyebrows, and the girl obeyed sullenly. The Lady held out a delicate hand with obvious lack of eagerness, and Danaë kissed it and dropped it as if it had been a hot coal, retiring awkwardly enough at an imperative sign from her brother. “I can’t congratulate you on your protégée’s manners,” said the Lady lightly. “No one is better fitted to improve them than yourself, my beloved Olimpia. ”
“ The new Therma, rebuilt on European methods after its bombardment by the Powers, was a city of enchantment to the little barbarian from Strio, but she durst not let her eyes wander to the tall white houses or the astonishing shops. The swarming crowd of all nationalities that jostled her as she stumbled along, ill and miserable, in the wake of Petros, was simply a collection of moving obstacles, blocking the way to the attainment of her aim, the deliverance of the brother who represented all the romance that had ever touched her life from the spells of the witch-woman. ”
