Summary

Talbot Mundy The Marriage of Meldrum Strange… (1923)

THERE is a kind of glamour about decadence until it dips too low. Refraction in the unclean atmosphere of low ideals blurs the outline, coaxing imagination to see beauty where none is. Age, toning everything and introducing beauty of its own, imposes charm that glorifies even battlefields, and dead bones please when they are dead enough. So the Panch Mahal was a wonder in its way. They built it for living women two full centuries after Shah Jehan conceived the Taj at Agra for a dead one; and it resembled the Taj as an oleograph by John Smith is said to be “after” Rembrandt.
Source: Wikisource

Talbot Mundy The Marriage of Meldrum Strange… (1923)

The cot creaked under his weight as he leaned forward, peering along the rifle-barrel. The creak was too much for Strange’s nerves. He jumped off the cot, upsetting Ommony, and seized the chair, the only weapon within reach—then stepped back until he felt the wall behind him.
“Now by ——, I can defend myself!” he gasped.
Ommony lay still. Jeff never moved, bent forward, peering along the rifle-barrel. They could hear the soft foot-falls more distinctly, as if a beast were exploring the floor in widening arcs.
Source: Wikisource

Talbot Mundy The Marriage of Meldrum Strange… (1923)

Nothing for it but the courtyard, where the rising moon was just beginning to pour amber light over the roof and change a quarter of the paving into a floor of pale gold. There Jeff took position in the god’s lap that had nursed Zelmira recently and, looking like a herculean god himself in loose pajamas, kept a qui vive with the rifle pointing every way as one sound or another drew attention.
Source: Wikisource

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