Talbot Mundy, The Marriage of Meldrum Strange… (1923)
“ THERE is a kind of glamour about decadence until it dips too low. Refraction in the unclean atmosphere of low ideals blurs the outline, coaxing imagination to see beauty where none is. Age, toning everything and introducing beauty of its own, imposes charm that glorifies even battlefields, and dead bones please when they are dead enough. So the Panch Mahal was a wonder in its way. They built it for living women two full centuries after Shah Jehan conceived the Taj at Agra for a dead one; and it resembled the Taj as an oleograph by John Smith is said to be “after” Rembrandt. ”
