Summary

The Playground of Satan

With tears they folded his hands over the little malachite crucifix, the one relic of home. The Countess covered his thin, withered face, so peaceful in its long sleep, with a peasant woman's kerchief. Then they urged on the tired horse and their own weary limbs, the women praying for his soul as they staggered on, because retreating armies wait not and their one hope now lay in escaping the Prussians. They had no food left; every scrap of the bread, stained with the blood of those who held it in the Ruvno canteen, had gone. And strength was fast failing them.
Source: Gutenberg

The Playground of Satan

As dawn came on, painting the sky with gray and purple and the breeze grew less chill, Ian could see more and more plainly the desolation that lay around. Not a living creature did they meet. But the dead were many. The few surviving trees were bare as in a January frost; the roadside and neighboring fields, strewn, not only with every kind of garment, every simple article of a peasant's cottage, but with costly things which must have been a soldier's loot, with the soldier's mortal remains; and with their knapsacks, caps, ragged boots and bits of kit.
Source: Gutenberg

The Playground of Satan

Ostap and Ian, leaving Martin with the others, went off to look for a cart. They wanted to get the side of one for Father Constantine. It would be better for him than carrying him on their backs. They had to grope about for some time, because it was the moment before dawn when night is darkest, when neither moon nor the streaks of coming day help you, when the air strikes chill to the very marrow and the heart has least courage. They finally found what they wanted by the smell of decomposing horseflesh, which guided them to a peasant's cart.
Source: Gutenberg

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