Henry Woodd Nevinson

Henry Woodd Nevinson

Summary

Portrait of Henry Woodd Nevinson Henry Woodd Nevinson The dawn in Russia (1906)

The subjects chosen by painters are cruel scenes from war or history, and dreary views of the steppe. The subjects chosen by writers are almost invariably sad. It is part of the unbroken melancholy which pervades all Russian life, and is no less visible on the faces of the people than in the sound of their music. And all this sorrow and savagery and blood lie at the door of a Government which has kept the people poor and depressed, exposed to the constant peril of the scourge, the prison, and secret death.
Source: Gutenberg

Portrait of Henry Woodd Nevinson Henry Woodd Nevinson The dawn in Russia (1906)

On the day of the people’s sorrow what have we to do with song and art? Citizens, we call on you not only to avoid places of entertainment, but not to visit the banks or other public institutions. Draw down your blinds, and in the evening hang curtains before your windows, so that no light may be cast upon the streets from the houses. Let the day consecrated to the martyrs of January 9th be kept as a day of absolute silence, a day of deep and universal mourning, a day for sad and angry remembrance of all the victims which have been torn from our midst by the enemies of the people’s freedom.
Source: Gutenberg

Portrait of Henry Woodd Nevinson Henry Woodd Nevinson The dawn in Russia (1906)

It is the Times of Russia, steadily on the side of the Government, the reaction, and the moneyed classes. Scornful of enthusiasm, deaf to every idea, incredulous of every hope, always ready to impute the vilest motives to reform, it stands like an impenetrable barrier on the road of human progress. Proclaiming itself the champion of stability, and taking law and order for its motto, and the price of funds for its test, it succeeds in pleasing the financier and the official, and its cynical disregard of humanity is matched by its unquestioned influence for evil.
Source: Gutenberg

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