Peter Kropotkin

Peter Kropotkin

Summary

Portrait of Peter Kropotkin Peter Kropotkin Memoirs of a revolutionist (1906)

Imprisoned in France, released, expelled, recondemned in Italy, confined to an island, escaped, and again in Italy in disguise; always in the hottest of the struggle, whether it be in Italy or elsewhere—he has persevered in this life for thirty years in succession. And when we meet him again, released from a prison or escaped from an island, we find him just as we saw him last; always renewing the struggle, with the same love of men, the same absence of hatred toward his adversaries and jailers, the same hearty smile for a friend, the same caress for a child.
Source: Gutenberg

Portrait of Peter Kropotkin Peter Kropotkin Memoirs of a revolutionist (1906)

Seeing how a gigantic paw, coming out of a shanty, grasps a log floating in the Nevá, pulls it inside, and puts it under the saws which cut it into boards; or how a huge red-hot iron bar is transformed into a rail after it has passed between two cylinders, I understood the poetry of machinery. In our present factories, machinery work is killing for the worker, because he becomes a lifelong servant to a given machine and never is anything else. But this is a matter of bad organization, and has nothing to do with the machine itself.
Source: Gutenberg

Portrait of Peter Kropotkin Peter Kropotkin Memoirs of a revolutionist (1906)

It was in her name that Madame Búrman took care of us, and in her name the Russian nurse bestowed upon us her love. While combing our hair, or signing us with the cross in our beds, Uliána would often say, ‘And your mamma must now look upon you from the skies, and shed tears on seeing you, poor orphans.’ Our whole childhood is irradiated by her memory. How often in some dark passage, the hand of a servant would touch Alexander or me with a caress; or a peasant woman, on meeting us in the fields, would ask, ‘Will you be as good as your mother was?
Source: Gutenberg

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