Summary

Portrait of Theodore Dreiser Theodore Dreiser Twelve Men — II. A Doer of the Word (1919)

The sound of the shipyard axes and hammers can be heard for miles over the quiet waters of the bay. In the sunny lane which follows the line of the shore, and along which a few shops struggle in happy-go-lucky disorder, may be heard the voices and noises of the workers at their work. Water gurgling about the stanchions of the docks, the whistle of some fisherman as he dawdles over his nets, or puts his fish ashore, the whirr of the single high-power sewing machine in the sail-loft, often mingle in a pleasant harmony, and invite the mind to repose and speculation.
Source: Wikisource

Portrait of Theodore Dreiser Theodore Dreiser Twelve Men — II. A Doer of the Word (1919)

How do you get along without giving them money?"
"I don't get along without giving them some money. There are cases, lots of them, where a little money is necessary. But, brother, it is so little necessary at times. It isn't always money they want. You can't reach them with old clothes and charity societies," he insisted. "You've got to love them, brother. You've got to go to them and love them, just as they are, scarred and miserable and bad-hearted."
Source: Wikisource

Portrait of Theodore Dreiser Theodore Dreiser Twelve Men — II. A Doer of the Word (1919)

A day or two later the loft of the sail-maker, instead of the shed of the boat-builder, happened to be my lounging place, and thinking of this theme, now uppermost in my mind, I said to him:
"Do you know a man around here by the name of Charlie Potter?"
"Well, I might say that I do. He lived here for over fifteen years."
"What sort of a man is he?"
He stopped in his stitching a moment to look at me, and then said:
"How d'ye mean? By trade, so to speak, or religious-like?"
"What is it he has done," I said, "that makes him so popular with all you people? Everybody says he's a good man.
Source: Wikisource

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