Summary

Portrait of Theodore Winthrop Theodore Winthrop “The Heart of the Andes” — Part 9 – The hamlet (1863)

Men have not forgotten their conception of God at the Heart of the Andes, — the heart of the heart of the world, where its pulses beat hottest and strongest. And the Artist sets up his own symbol of faith in the church and the foreground cross, and recognizes here that religion whose civilization alone makes such a picture as his possible.
Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop “The Heart of the Andes” — Part 9 – The hamlet (1863)

A city of citizens we should feel to be out of place here. Volcanoes may be suitable companions for the turbulent abodes of men, as men now are. A melodramatic little Vesuvius, threatening when it is not outraging, always discontented, and often an insurgent malecontent, grumbling and bellowing, “full of sound and fury,” a demoniac and revengeful being, — this is a fit emblem, of a modern capital.
Source: Wikisource

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