Thomas Bailey Aldrich

Thomas Bailey Aldrich

Summary

Portrait of Thomas Bailey Aldrich Thomas Bailey Aldrich Mademoiselle Olympe Zabriski

The evening Mademoiselle Olympe was to make her reappearance, Van Twiller, having dined at the club, and feeling more like himself than he had felt for weeks, returned to his chamber, and, putting on dressing-gown and slippers, piled up the greater portion of his library about him, and fell to reading assiduously. There is nothing like a quiet evening at home with some slight intellectual occupation, after one’s feathers have been stroked the wrong way.
Source: Gutenberg

Portrait of Thomas Bailey Aldrich Thomas Bailey Aldrich Mademoiselle Olympe Zabriski

Taken from her theatrical setting, from her lofty perch, so to say, on the trapeze-bar, Olympe Zabriski would have shocked every aristocratic fibre in Van Twiller’s body. He was simply fascinated by her marvellous grace and élan, and the magnetic recklessness of the girl. It was very young in him and very weak, and no member of the Sorosis, or all the Sorosisters together, could have been more severe on Van Twiller than he was on himself. To be weak, and to know it, is something of a punishment for a proud man. Van Twiller took his punishment, and went to the theatre, regularly.
Source: Gutenberg

Portrait of Thomas Bailey Aldrich Thomas Bailey Aldrich Mademoiselle Olympe Zabriski

But half past nine that night saw him in his accustomed orchestra chair, and so on for another week. A habit leads a man so gently in the beginning that he does not perceive he is led—with what silken threads and down what pleasant avenues it leads him! By and by the soft silk threads become iron chains, and the pleasant avenues Avernus!
Quite a new element had lately entered into Van Twiller’s enjoyment of Mademoiselle Olympe’s ingenious feats—a vaguely born apprehension that she might slip from that swinging bar
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature