Summary

Portrait of P. G. Wodehouse P. G. Wodehouse Not George Washington — Chapter 8… (1907)

There is a never-failing fascination in a man with a secret. It gave me a pleasant feeling of being behind the scenes, to watch Malim, sitting in his armchair, the essence of everything that was conventional and respectable, with Eton and Oxford written all over him, and to think that he was married all the while to an employee in a Tottenham Court Road fried-fish shop.
Kit never appeared in the flat: but Malim went nearly every evening to the little villa. Sometimes he took Julian and myself, more often myself alone, Julian being ever disinclined to move far from his hammock.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Not George Washington — Chapter 8… (1907)

We left the Barrel at about one o'clock. It was a typical London late autumn night. Quiet with the peace of a humming top; warm with the heat generated from mellow asphalt and resinous wood-paving.
We turned from Bedford Street eastwards along the Strand.
Between one and two the Strand is as empty as it ever is. It is given over to lurchers and policemen. Fleet Street reproduces for this one hour the Sahara.
"When I knock at the Temple gate late at night," said Malim, "and am admitted by the night porter, I always feel a pleasantly archaic touch."
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Not George Washington — Chapter 8… (1907)

And after the gate had been closed behind one, it was difficult to realise that within a few yards of an academic system of lawns and buildings full of living traditions and associations which wainscoting and winding stairs engender, lay the modern world, its American invaders, its new humour, its women's clubs, its long firms, its musical comedies, its Park Lane, and its Strand with the hub of the universe projecting from the roadway at Charing Cross, plain for Englishmen to gloat over and for foreigners to envy.
Source: Wikisource

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