Thomas Bailey Aldrich

Thomas Bailey Aldrich

Summary

Portrait of Thomas Bailey Aldrich Thomas Bailey Aldrich Marjorie Daw

Sometimes in the morning, and oftener in the afternoon, when the sun has withdrawn from that part of the mansions, a young woman appears on the piazza with some mysterious Penelope web of embroidery in her hand, or a book. There is a hammock over there—of pineapple fibre, it looks from here. A hammock is very becoming when one is eighteen, and has golden hair, and dark eyes, and an emerald-colored illusion dress looped up after the fashion of a Dresden china shepherdess, and is chaussee like a belle of the time of Louis Quatorze.
Source: Gutenberg

Portrait of Thomas Bailey Aldrich Thomas Bailey Aldrich Marjorie Daw

No, Jack, the spray of mignonette did not come from me. A man of twenty-eight doesn’t enclose flowers in his letters—to another man. But don’t attach too much significance to the circumstance. She gives sprays of mignonette to the rector, sprays to the lieutenant. She has even given a rose from her bosom to your slave. It is her jocund nature to scatter flowers, like Spring.
If my letters sometimes read disjointedly, you must understand that I never finish one at a sitting, but write at intervals, when the mood is on me.
Source: Gutenberg

Portrait of Thomas Bailey Aldrich Thomas Bailey Aldrich Marjorie Daw

I accept things as people do in dreams. Now that I am again in my room, it all appears like an illusion—the black masses of Rembrandtish shadow under the trees, the fireflies whirling in Pyrrhic dances among the shrubbery, the sea over there, Marjorie sitting on the hammock!
Source: Gutenberg

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