Summary

Portrait of Thomas Hardy Thomas Hardy,  Jude the Obscure — Part 1, Chapter 6 (1895)

“ They talked a little more and a little more, as they stood regarding each other and leaning against the hand-rail of the bridge. The unvoiced call of woman to man, which was uttered very distinctly by Arabella's personality, held Jude to the spot against his intention—almost against his will, and in a way new to his experience. It is scarcely an exaggeration to say that till this moment Jude had never looked at a woman to consider her as such, but had vaguely regarded the sex as beings outside his life and purposes. ”
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy,  Jude the Obscure — Part 1, Chapter 6 (1895)

“ They walked in parallel lines, one on each bank of the stream, towards the small plank bridge. As the girl drew nearer to it, she gave without Jude perceiving it, an adroit little suck to the interior of each of her cheeks in succession, by which curious and original manœuvre she brought as by magic upon its smooth and rotund surface a perfect dimple, which she was able to retain there as long as she continued to smile. This production of dimples at will was a not unknown operation, which many attempted, but only a few succeeded in accomplishing. ”
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy,  Jude the Obscure — Part 1, Chapter 6 (1895)

“ I have staying power in abundance, thank God! and it is that which tells... Yes, Christminster shall be my Alma Mater; and I'll be her beloved son, in whom she shall be well pleased."
In his deep concentration on these transactions of the future Jude's walk had slackened, and he was now standing quite still, looking at the ground as though the future were thrown thereon by a magic lantern.
”
Source: Wikisource

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