Richard Connell

Richard Connell

Summary

Portrait of Richard Connell Richard Connell The Last of the Flatfeet (1923)

He became passionately devoted to Uncle Sam; he appeared to derive unlimited comfort and inspiration from the fact that a benevolent old gentleman in a tall gray hat, a star-spangled vest, striped trousers and a goatee was his friend and protector. Though Ug's notions of what a ward is were slightly fogbound, he was very proud of the fact that he was a ward of Uncle Sam. He rather looked down on the white farmers whose land adjoined the reservation; they were mere citizens; he was a ward. No longer, when larger Indians kicked him, did he plan to massacre them as they slept.
Source: Wikisource

Portrait of Richard Connell Richard Connell The Last of the Flatfeet (1923)

Homeward through a quiet evening went Ug, very slowly; his square head was bent forward till his chin obscured his rubber collar; the path across the meadow was well defined by the rising moon, but Ug's feet now and then strayed from it; he walked like a man very tired. Not far from his small red, white and blue cabin Ug stopped short. Something was moving in the grass near the path. Ug bent toward it. It was a large, glistening, red earthworm. Ug's hands went up to his head, and when they came down one of them held his derby hat.
Source: Wikisource

Portrait of Richard Connell Richard Connell The Last of the Flatfeet (1923)

Down they went, with Ug on top. A shrill cry like the note of a drunken whippoorwill caught in a buzz saw cut the night; his breath and his spirit deserted Patrick Duffy; he knew that cry; years and years ago it had struck cold fear to the hearts of white pioneers; it was the war whoop of the Flatfeet.
“You let me up!” sniveled Patrick Duffy. “I was just havin' a little joke with you; honest I was, Ug.”
Even a braver man might well have been cowed by the ferocity of a Flatfoot on the warpath. Ug rose.
Source: Wikisource

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