Summary

Portrait of Thomas Hardy Thomas Hardy Life's Little Ironies

Many a Lord Chancellor’s wife had been less intuitively a lady than she had shown herself to be in her lines to him.
‘O—poor fellow, poor fellow!’ mourned Edith Harnham.
Her distress now raged as high as her infatuation. It was she who had wrought him to this pitch—to a marriage which meant his ruin; yet she could not, in mercy to her maid, do anything to hinder his plan. Anna was coming to Melchester that week, but she could hardly show the girl this last reply from the young man; it told too much of the second individuality that had usurped the place of the first.
Source: Gutenberg

Portrait of Thomas Hardy Thomas Hardy Life's Little Ironies

Cope opposite, was naturally enough much regarded by the curate during the tedious sail home; at first with sympathetic smiles. Then, as the middle-aged father and his child grew each gray-faced, as the pretty blush of Frances disintegrated into spotty stains, and the soft rotundities of her features diverged from their familiar and reposeful beauty into elemental lines, Cope was gradually struck with the resemblance between a pair in their discomfort who in their ease presented nothing to the eye in common. Mr. Millborne and Frances in their indisposition were strangely, startlingly alike.
Source: Gutenberg

Portrait of Thomas Hardy Thomas Hardy Life's Little Ironies

Her brother Joshua had been presented to a living in a small town, shortly after her marriage, and Cornelius had thereupon succeeded to the vacant curacy of Narrobourne.
These two had awaited in deep suspense the discovery of their father’s body; and yet the discovery had not been made. Every day they expected a man or a boy to run up from the meads with the intelligence; but he had never come. Days had accumulated to weeks and months; the wedding had come and gone: Joshua had tolled and read himself in at his new parish; and never a shout of amazement over the millwright’s remains.
Source: Gutenberg

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