Vsevolod Garshin

Vsevolod Garshin

Four Days (1877)

Summary

Portrait of Vsevolod Garshin Vsevolod Garshin,  Four Days (1877)

“ But death does not come and does not take me; and here I lie under this fearful sun and not a drop of water to quench my fiery thirst, and the corpse is poisoning me. It has entirely disintegrated. Myriads of worms are dropping from it. How they swarm! When he is entirely destroyed and nothing but his bones and uniform are left, then it will be my turn, and I shall be like him.
The day passes, the night passes, still the same. The morning dawns, still the same, another day goes. The bushes keep whispering and whispering, just as though they were talking softly.
”
Source: Wikisource

Portrait of Vsevolod Garshin Vsevolod Garshin,  Four Days (1877)

“ I try to crawl. My legs are useless; my enfeebled hands scarcely serve to move my helpless body. It is only twelve or fourteen feet to the body, but for me it is more—no, not more but worse—than ten miles. Nevertheless, it is necessary to crawl. My throat burns as if it were on fire. And without water, death would come all the sooner. Yet perchance. . . .
And I drag myself along. My legs catch on the ground and every slightest motion causes insufferable anguish. I scream, I scream and wail, and yet I continue to crawl. At last I attain to it. Here is the canteen.
”
Source: Wikisource

Portrait of Vsevolod Garshin Vsevolod Garshin,  Four Days (1877)

“ It is hard work when both legs are helpless. Sometimes I despaired of success; but at length, with tears in my eyes, caused by my anguish, I manage to sit up.
Over my head is a patch of black-blue sky with one big star and a few lesser ones blazing in it. Around me is something black and high. It is the bushes. I am in the bushes: they failed to find me!
I feel the very roots of my hair rising on my head.
Now, how was it that I came to my senses in the bushes when I was shot on the meadow? It must have been that while beside myself with agony from my wound, I crawled here.
”
Source: Wikisource

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