Summary

Portrait of W. C. Tuttle W. C. Tuttle Dirty Work for Doughgod

Love has cut a breach in the Four Disgraces. Cupid has poisoned his arrows, and we forgets friendship ties. Maybe it was an accident—maybe not, but anyway we ain’t gone far when Muley steps on Chuck’s ankle. Chuck yowls like a tom-cat and slaps Muley right in the face. Telescope grabs Chuck by the neck, and I kicks Telescope’s feet out from under him.
Source: Gutenberg

Portrait of W. C. Tuttle W. C. Tuttle Dirty Work for Doughgod

Muley Bowles is a self-made poet. Something inside that two-hundred-and-forty-pound carcass seems to move him to rime, and nothing can stop him. He’s so heavy in a saddle that all of his broncs are bowed in the legs and run their shoes over awful.
Telescope Tolliver came from down in the moonshine belt, and he’s got some strange and awful ideas of what constitutes a code of honor. He’s so long in the legs that a bronc has to pitch twice at the same time to get him high enough to throw.
Chuck Warner is a Roman-nosed puncher, with the shortest legs on record and the trusting eyes of a bird-dog.
Source: Gutenberg

Portrait of W. C. Tuttle W. C. Tuttle Dirty Work for Doughgod

We strung off up the road, me and Telescope fighting for first place with Chuck running a close second and Muley bringing up the rear, eating alkali dust like a machine.
We hammers along for about two miles, when all to once we sees a cloud of dust ahead of us. Said cloud is sliding toward the grade down to the Wind River crossing, and we all sighs to think what that runaway team will do to that lady when they hit the boulders of Wind River. We shoves on more steam and unhooks our ropes. Me and Telescope ain’t got room for two loops the way we’re running
Source: Gutenberg

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