W. C. Tuttle

W. C. Tuttle

Summary

Portrait of W. C. Tuttle W. C. Tuttle,  Hidden blood (1925)

“ But before the priest could begin the ceremony, Jack Meline stepped out from the wall, his bloody lips twisted strangely, and sent a bullet from a heavy revolver into the body of the big Gonzales.
It was so unlooked for that no one moved. Gonzales turned on his heel, a look of wonder on his cruel face. He did not seem to know what had happened. It seemed as if he were waiting for someone to explain. Then he went to his knees and sprawled sidewise, his huge hands gripping at the dirt floor.
”
Source: Gutenberg

Portrait of W. C. Tuttle W. C. Tuttle,  Hidden blood (1925)

“ Hashknife, Cleve, and Musical came running from the corral, while McGurk’s horse got to its feet and trotted in a circle, as if undecided which way to go.
McGurk got to his feet, spitting sand and profanity, while Sleepy, his feet elevated in the rosebush, looked up at them with a vacant stare and tried to argue with them over the climate of Puget Sound.
“He’s all right,” grinned Hashknife. “That wallop knocked him back one season, but he’ll catch up.”
“McGurk, you picked a bad time to come around that corner,” said Big Medicine seriously.
”
Source: Gutenberg

Portrait of W. C. Tuttle W. C. Tuttle,  Hidden blood (1925)

“ The immersion of Torres seemed of great satisfaction to the blacksmith, whose buffalo-horn-like mustaches jiggled convulsively in a paroxysm of silent mirth. Hashknife knew just about how long a human being might safely be immersed; so he kept Torres under for the full limit, while the three riders, blocked from an entrance by Sleepy, who was willing to forego the pleasure of watching the ducking to prevent interference, grinned widely. ”
Source: Gutenberg

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