Summary

Portrait of Walter De la Mare Walter De la Mare The Riddle and Other Stories — The Almond Tree (1923)

The rare odour of frost was on the air. The ashes of the fire lay iron-grey upon the cold hearth. An intensely clear white ray of light leaned up through a cranny of the shutters to the cornice of the ceiling. I got up with difficulty. My mother was still asleep, breathing heavily, and as I stooped, regarding her curiously, I could almost watch her transient dreams fleeting over her face; and now she smiled faintly; and now she raised her eyebrows as if in some playful and happy talk with my father; then again utterly still darkness would descend on brow and lid and lip.
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Portrait of Walter De la Mare Walter De la Mare The Riddle and Other Stories — The Almond Tree (1923)

It's the one rag of philosophy age denies no one. It is so easy to be heroic—debonair, iron-grey, fluent, dramatic—you know it's captivation, perhaps? But after all, life's comedy, when one stops smiling, is only the tepidest farce. Or the gilt wears off and the pinchbeck tragedy shows through. And so, as I say, we talk on, being past feeling. One by one our hopes come home to roost, our delusions find themselves out, and the mystery proves to be nothing but sleight-of-hand. It's age, my dear Jane—age; it turns one to stone.
Source: Wikisource

Portrait of Walter De la Mare Walter De la Mare The Riddle and Other Stories — The Almond Tree (1923)

I turned and counted as far as I could my footsteps leading back to the house, which lay roofed in gloomy pallor, dim and obscured in the darkened west.
“A waning moon that had risen late in the night shone, it seemed, very near to the earth. But every moment light swept invincibly in, pouring its crystal like a river; and darkness sullenly withdrew into the north. And when at last the sun appeared, glittering along the rosy snow, I turned in an ecstasy and with my finger pointed him out, as if the house I had left behind me might view him with my own delight.
Source: Wikisource

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