Summary

Portrait of Walter Scott Walter Scott Anne of Geierstein; Or, The Maiden of the Mist…

But in you, can I recognise the Duke of Burgundy in a sullen hermit, whose guards are a disorderly soldiery, dreadful only to their friends; whose councils are in confusion for want of their sovereign, and who himself lurks like a lamed wolf in its den, in an obscure castle, waiting but a blast of the Switzer's horn to fling open its gates, which there are none to defend; who wears not a knightly sword to protect his person, and cannot even die like a stag at bay, but must be worried like a hunted fox?
Source: Gutenberg

Portrait of Walter Scott Walter Scott Anne of Geierstein; Or, The Maiden of the Mist…

It had belonged, said tradition, to Edward the Confessor. The knock at the door of the chapel was repeated.
"We must not tarry," said Margaret; "let us part here—you for Dijon, I to Aix, my abode of unrest in Provence. Farewell—we may meet in a better hour—yet how can I hope it? Thus I said on the morning before the fight of St. Albans—thus on the dark dawning of Towton—thus on the yet more bloody field of Tewkesbury—and what was the event? Yet hope is a plant which cannot be rooted out of a noble breast, till the last heart-string crack as it is pulled away."
Source: Gutenberg

Portrait of Walter Scott Walter Scott Anne of Geierstein; Or, The Maiden of the Mist…

But while that of Arthur involuntarily strove to follow its course, a contrary gust of wind caught the red rose, and drove it back against his breast, so that it was easy for him to catch hold of and retain it.
"Joy, joy, and good fortune, royal mistress!" he said, returning to her the emblematic flower; "the tempest brings back the badge of Lancaster to its proper owner."
"I accept the omen," said Margaret; "but it concerns yourself, noble youth, and not me. The feather, which is borne away to waste and desolation, is Margaret's emblem.
Source: Gutenberg

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