Summary

Portrait of Anna De Koven Anna De Koven The Counts of Gruyère

Gallic in its love of beauty, loving life and all its loveliest expressions, it was a court of dance and song—the heart of hearts of Gruyère, itself the centre and the very definition of Romand Switzerland. Often intermarried, the Burgundian counts preserved in its perfection the blond beauty of their ancient race, surpassing in athletic skill the strongest of their subjects, and with the same bonhomie with which their conquering ancestors had mingled with their vassals, they exemplified in their kindly rule the Burgundian device: "Tout par l'amour, rien par la force."
Source: Gutenberg

Portrait of Anna De Koven Anna De Koven The Counts of Gruyère

Thus several Corot canvases are strangely found in this out of the way corner in the Swiss mountains, a lovely tribute of the great modern master to the long past glories of Gruyère. In the jousting court flowers bloom bravely through the passing seasons, the old well with its moss covered roof jewels the terrace with its emerald green; through the chapel windows the painted light streams over walls where in silver on scarlet still flies the Grue. On the clock tower, still circling, the hands mark the passing of time and the bells in the church still ring out their summons to prayer.
Source: Gutenberg

Portrait of Anna De Koven Anna De Koven The Counts of Gruyère

Unappeased, the Bernois were advancing towards Gruyère when their cupidity was tempted by offers of rich indemnities by Count Pierre's messengers, with whom, together with a crowd of prisoners, they returned to Berne. Rage and despair as black as this the darkest winter of his reign, possessed Count Pierre, but milder counsels spoken by the gentle voices of his countess and the two sainted Dames de Vaud, Isabelle de Savoie-Chalons and her daughter prevailed. Like a trio of angels singing over the deathlike darkness and terror of the time, they brought peace where there was no peace
Source: Gutenberg

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